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I had no connections and no money at the beginning of my media career. Internships in media were mostly unpaid, and often won via connections or nepotism. I hadn’t even done an internship, he pointed out.Īnd I hadn’t. A colleague wanted to know how I got the gig. I was young, a woman and my background wasn’t typical for a finance columnist. After I discovered that no one in media wanted to assign me stories about business and finance, despite my having worked as an equity analyst, I started a Wall Street blog called Dealbreaker that was read by a lot of young finance professionals, and ultimately, the guy who hired me at Fortune. I had perhaps done some Jeremy Strong-level striving to get the contract, though. In fact, I had simply been offered the assignment as part of a contract I had at the time as a columnist at Fortune magazine.
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Given his sneering reaction, you would think I had murdered all of my professional peers and scaled a pile of their dead bodies in order to get the work. He saw my focus on my journalism career as a gaudy Americanism that carried the stench of effort. He was European and had gone to expensive prestigious schools, paid for by his parents. An ex-boyfriend who was also a writer was piqued that I got a nice magazine assignment and that I had the gall to be enthusiastic about it. Only one person has ever called me a careerist to my face, and it was over a decade ago. Strong once drove to Canada as Daniel Day-Lewis’s assistant on a film shoot, the great actor’s prop mandolin strapped into the passenger seat like he was “guarding a relic.”) (As recounted in the New Yorker profile, Mr. Strong, whose path to success was long and difficult, and sometimes involved extreme displays of devotion to his craft. Every time I’ve heard it used, it has been by someone who has enough privilege that needing to work and worrying about advancement are alien experiences. There’s an unmistakably negative connotation to the word “careerist.” It is a dismissive insult often deployed against people who have the temerity to transcend their economic class. My freshman year at Duke University, a lacrosse player coming from a prestigious boarding school overheard me talking and asked, “Where the are you from?” It was clear that he wasn’t just asking for a geographic location.
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I have felt dismissed at times as an ambitious striver, or because I wasn’t an obvious fit in a room full of wealthy, overeducated people, with my rednecky accent and teeth unmolested by modern orthodontics. I also went to a fancy college on enough financial aid to rival the G.D.P. My dad was a local lineman for a utilities company in Alabama, and my mom worked at my school, first as a janitor, then later as a lunch lady in the cafeteria. Like me, he grew up working class: He was the son of a juvenile jail employee and a hospice nurse in Massachusetts. Strong in the profile felt very relatable.
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Strong’s at Yale, where he studied with financial aid, said, “I’d never met anyone else at Yale with that careerist drive.” One critique particularly stood out to me when I read it. In a December New Yorker profile of the actor Jeremy Strong, who plays Kendall Roy on the HBO show “Succession,” colleagues, friends and classmates painted him as a person who, in internet-speak, “has no chill.” His intense and sometimes extreme devotion to his craft was extensively documented and skewered.